"And Yet, Here We Are" started as a diary of my family's practices, specifically through the lens of my grandmother’s role as the current "priest" of our Umbanda temple. It has since transformed into a documentation of religious racism towards members of Afro-Brazilian religions throughout the country. I use this story to honor my family, my ancestors, and my Umbanda mates who are currently suffering from this prejudice. Thus, by bringing this story to light, I am offering a historical reparation and retelling of the culture and heritage of those who have been erased, but were always here.